Umm. Should I be embarrassed?

So this is a song that I heard probably only about five years ago, but is quite a bit older than that. It’s followed by another song that, well, I have wanted to post for a while, but I have honestly been too lazy to dig through the couple thousand records I have to find it. Records. They’re those round things. Made of vinyl. Vary in size. Sort of like dinosaurs. Except dinosaurs aren’t made of vinyl. And they’re not really round. So scratch the dinosaur comparison.

Anyhow, the first track is by the B52s. Yes. I said the B52s. Go ahead. Judge me. I like this song. It’s the track “Whammy Kiss” off of their third studio album Whammy. Believe it or not, the EP they recorded prior to releasing this album (Mesopotamia)was produced by Talking Heads legend David Byrne. So yeah. If you’ve got issues with them now? You’re a big fat stupidhead. And I’m twelve. So there. This is a fun track. One you just kick back and enjoy the absurdity of it, and appreciate the old school sounds of drum machines and synths, you’ll be happy. So enjoy.


Download The B52s – Whammy Kiss

Next is that aforementioned piece I have on wax. Now, back in 1987, Vanessa Paradis – who’s now in a relationship with Johnny Depp – released this song originally, and made her big. Well, in France, at least. The hard work paid off in the long run, as she would end up working with music luminaries such as Lenny Kravitz. Well, in around 2000, Japanese artist Hanayo covered the song in question – “Joe Le Taxi” – and was the first track off of her album Gift. I have to say, I prefer this version much more. And now it’s here for you guys to take some listening pleasure in!


Download Hanayo – Joe Le Taxi

What a catch!

[Fall Out Boy – What a Catch, Donnie ft. Elvis Costello, Brendon Urie, Travis McCoy, Alex DeLeon, & William Beckett]

They keep getting better.

They’re Fall Out Boy. And they’re not just for emo kids and screaming girls. They speak loudly to a lot of post-punk thirtysomethings. Non-emo kids, despite being unwilling to admit it, love them too. And we all know it. Pete Wentz called it almost two years ago when he said “There’s the bands that you say you like to sound smart, and there’s the bands you say you like to get laid. And then there’s the bands you really listen to.”

the little one says:
was he referring to the emotards who won’t admit they are at zia to buy their record?
the little one’s buddy says:
yes…I am positive he was…
tlo’s b says:
all of them bought one …you saw that right? or did I make that up
tlo’s b says:
I just brought a hot chick to buy mine
tlo says:
nope… they all did… they all got that 7 inch
tlo’s b says:
yeah
tlo’s b says:
that was like the alarm goinhg off that they bought it…
tlo’s b says:
awesome
tlo says:
lol
tlo’s b says:
it was a great night for that moment in the store
tlo says:
they got caught stealing condoms

…And that was back when Infinity on High was released. Sure, we could have just bought it on iTunes. But there are still some bands worth a midnight trip to the record store. Music snobs will be aghast that Fall Out Boy is slotted into that category. But give Folie a Deux a listen and it’s easy to see just how talented this fourpiece from Chicago is. And how far they’ve come.

When I hear “She’s My Winona”, (and by the way, before we give emo a bad name, let’s take a moment here to give reverence to Johnny Depp) I feel like I am listening to one of my old favorites off Take This To Your Grave or Under The Cork Tree. The “quit burning bridges and drive off of ’em” dark lyrics that get delivered so beautifully by Patrick Stump it allows for both the dry humor and the pain to emanate.

[Fall Out Boy – She’s My Winona]

But what I hear all over Folie a Deux, besides all the cameo appearances,

Elvis Costello from ELVIS COSTELLO!
Brendon Urie from Panic at the Disco
Travis McCoy from Gym Class Heroes,
Alex DeLeon from The Cab,
and William Beckett from The Academy Is

is what I fell in love with years ago but enhanced. What I thought couldn’t get better before, BETTER. In ALL CAPS. And it still takes my breath away after all these years. It surprises me how much better it gets. Sure, the early days were unsure and awkward. It’s mildly embarrassing to think back to those days. But as it got good, and built more and more on what was good, and went in bold directions… wait, am I still talking about FOB?

If you are looking for something BETTER, don’t look for a Kanye West remix. You want a MASHUP. Check out FOB vs White Stripes. And don’t make Baby Jesus cry. Go buy some Fall Out Boy.