It’s Beginning To Look A Lot Like…

I am pretty sure there exists somewhere a print version containing proof that I have shat upon the Music Genome Project. It angered me. How dare you set out to “capture the unique and magical musical identity of a song”? That phrase in itself should be a dichotomy – “capture” something that is “unique and magical”? Wah! Meh! Other various grumbling sounds!

I just have a tendency to fight something that I see as forced. To fight anything that doesn’t organically evolve. I’m not saying I’m right. I have my quirks.

This is my Sexy Little Netbook.

And since I never found time to fully upload any real semblance of an iTunes library on my Sexy Little Netbook, I find myself needing to obtain music from sources Other Than My Own while at work.

So I caved, and I created myself a Pandora profile.

In June I created a Wallflowers station. I liked it. It was good. In July I created a Jack’s Mannequin station. It was great. On August 30 I created a Santana station. What amazing guitar artistry was displayed on this station! That was a good day at work.

That was when I was thankful for Pandora. You know why? By September 5 I was the new owner of the album 11:11 by Rodrigo y Gabriela.

So I have to say thank you to Pandora and music genomes. Listening to Santana allowed for an electronically-induced organic discovery of this Mexican musical duo and the amazing things that can be done with a guitar.

No. There is no drummer. That is Gabriela’s percussive style of playing. In fact, it is so heavily percussive that it led to a temporary hiatus in touring recently due to a stress injury! Fortunately for their most loyal fans, the duo performed live at a pub in Dublin on 11/11 to celebrate the album on which they play tribute to 11 artists who inspired them. NPR streamed the live performance and you bet I tuned in… It was amazing. Since then, I have been playing it to lift my spirits around the house and out and about while the weather turns cold and holiday planning comes into full effect.

Track One on the album, released in September 2009, is dedicated to Carlos Santana. Click play and listen to “Hanuman”.

Click to Play Rodrigo y Gabriela – Hanuman

Other tracks on the album are dedicated to musicians from all over the world: Pakistan, Spain, India, Argentina, plus Jimi Hendrix, Pink Floyd, and even Dimebag Darrell from Pantera! Tell me you can see yourself putting that on the ‘pod, or on your home stereo, or in your car… Move about the house readying it for company, pull out your long johns, fight mall traffic, bake holiday goodies, come on. It’s perfect mood music to substitute for all the Christmas music you’ll be hearing everywhere.

This is an amazing album. Buy it now. Take it with you. Now you’re warm.

What luck!


The title sort of describes it all. This past Sunday, I ended up with a free ticket to see the Gipsy Kings. Right place, right time, essentially. So I got to enjoy a free night of music, and it sort of inspired this post. I had heard a bit of their stuff in the past, but wasn’t super familiar with them. The standards they played that I had heard were “Volare” and “Hotel California”.

Well, during the show, I did the usual with some music talk with the women who had given me these tickets. One group I brought up with them that they may like was the Afrobeat group Antibalas. They certainly have a unique sound, but if you actually listen closely, there are definite similarities between them. It’s no different than how we as humankind have evolved to become so diverse. Music has a distinct source or set of sources, although the latter is more likely. The melding of those sources helps music develop and grow. The same can be said for language. Language most likely developed from not just a single source, but from many, although that is something that will never truly have a solution.

Here, we have two groups from different times. Also with two different backgrounds of inspiration. However, one can certainly find strong similarities in general sound, but the quirks are what set them apart. Gipsy Kings have a strong influence from the flamenco stylings. What’s pretty telling about the aforementioned similarities is that this style is typically found in only one region of Spain – Andalusia. Oddly enough, this region is closest to the African continent, and while it doesn’t fully explain its origin, it could have been inspired by music from African sounds and stylings, but could have developed from earlier sounds in Africa.

With Antibalas, we’re talking a style of music that is often called “afrobeat” which has developed from Nigerian sounds and were pioneered by the well known Nigerian artist Fela Kuti. We’re all certainly influenced by earlier sounds, and Kuti is certainly no different. If we’re to suspect that he didn’t suddenly create this sound on his own, but put together an amalgamation of these sounds to create sort of a “remix”, as you may, then we can also again go back to the point that this sound migrated South to Nigeria. This, combined with the migratory tendencies of music and language together tells me we could probably infer that we’re looking at the creation of a specific music style in Central or North Africa long ago, and with its migration, the evolution of its sound to what we hear from these two bands. It’s honestly a fascinating thing to me. To study where we came from or where our ways of communicating came from. So here I present a song from each group. I have given “Volare” by the Gipsy Kings and “I.C.E.” by Antibalas.


Download Gipsy Kings – Volare


Download Antibalas – I.C.E.

And go download this stuff! Do that learnin’ stuff!