Freedom is the answer. Who’s next?

I’m reposting this from the site Khalas, and reposting it without permission. I hope they won’t mind. Please check out Khalas at http://enoughgaddafi.com/ You should also pick up the mixtape of hip-hop protest songs from artists all over the arab regions of Egypt, Tunisia, Libya, and Algeria. It’s dope, even if you don’t understand all the words! The mixtape can be found here.

Khalas is the arabic word for Enough. The Tunisians and the Egyptians had enough. Who’s next? How Soon? Read on…

Click to play Omar Offendum, The Narcicyst, Freeway, Amir Sulaiman & Ayah – #Jan25

Protesters are confronted by riot police. (huffingtonpost.com)

There are many ways to take the life of a human being. There’s the Mubarak way: allow corrupt police officers to smash an innocent young man’s skull in broad daylight in front of witnesses, then let those officers go with little more than a slap on the wrist. There’s the Ben Ali way: over a lifetime deprive him of his dignity and means of supporting his family until he snaps and, out of sheer desperation, takes his own life. Then there’s the Gaddafi way: hang the young men in public, replay their execution on television over and over again, leave some of their bodies dangling from the gallows for days, and drag the rest through the streets for all to see and take heed, just as he did on February 17th, 1987.

Egypt and much of the Arab world wept for Khaled Said, for the needlessness of his murder, for its brutality, for the cheapness of his life in the eyes of the very government purporting to bring “peace” and “stability” to his country. Those of us on the outside watched with admiration as peaceful demonstrators lined the corniche in Alexandria last summer in silent protest, outnumbered by police in full riot gear, wondering if Said’s death would galvanize the Egyptian people to demand change. And now, seven months later, the people have finally risen up and said enough, have outnumbered the police and resisted their attacks, have scoffed at the regime as it digs in its heels and continues to hide behind its lies about “stability.” But what happened between Khaled Said’s tragic murder last June and the January 25th uprising that finally roused the sleeping giant in Egypt? The answer, as we all know, lies in Tunisia.

Tunisia and much of the Arab world wept, too, for Muhammad Bouazizi, not only because of the tragic circumstances of his suicide, but because so many Arabs understood all too well that feeling of impotence and rage that comes from having one’s head repeatedly stepped on—from being repeatedly violated—with no hope for justice and no way of fighting back. Bouazizi took his own life because he could no longer endure living under a system which had stripped him of his humanity, his livelihood and his future; in that state of mind, pushed beyond the limits of reason or hope, the idea of burning became less hateful to him in comparison. So, in a highly symbolic act, a young man driven to the brink lit his body on fire in a desperate attempt to communicate his suffering to the thugs who had terrorized him and to the regime they represented—to show them, by making it painfully clear on the outside, exactly what they had done to him on the inside.

By the look of Ben Ali’s expressionless face as he stood in front of the cameras in Bouazizi’s hospital room, it seemed that the young man’s tragic protest had barely registered with the autocrat. But for the Tunisian people, a nerve was struck, and the message had resonated loud and clear: enough. A short time later Ben Ali was on a plane to Saudi Arabia, and a collective shudder went up in the halls of leadership throughout the Arab world. But what happened between Bouazizi’s self-immolation on December 17th, his tragic death on January 4th, and Ben Ali’s previously inconceivable departure on January 14th? One can speculate about complex sets of factors, about timing, about Ben Ali’s mismanagement of the situation, about foreign manipulation, and so on, but I want to believe that the truth is far simpler: that the Tunisian people heard Bouazizi’s cries, and that they decided to fight for him. And once they did—once they began to unite, to organize and to resist—the paper tiger began to crumble. This is precisely why Ben Ali and his family fled Tunisia within such a short time after 23 long years in power, and why the supposedly indomitable Mubarak regime, even with the continued support of the most powerful nation in the world, now finds its back against a wall, confronted by a people who will no longer tolerate the status quo.

In the meantime, the question on everyone’s lips has been: where will it happen next? This is a crucial point that must be emphasized—the question itself has changed fundamentally. No longer can we speak of if and how, now the only valid questions are where and when. The events of Tunisia and Egypt represent a monumental paradigm shift in the politics of the Arab world, from which there is no turning back: what once seemed impossible we can no longer deny is possible. It follows that we have only ourselves to blame for our own inaction. Rulers can only govern with the consent of the ruled—whether tacit or explicit—and this they often achieve through coercion and violence, through the instillation of fear and apathy, and through the creation of illusions: illusions of strength, illusions of indestructibility, and above all, illusions of futility and hopelessness. The latter is the deadliest weapon at a tyrant’s disposal, and represents the most effective way of consolidating and maintaining power over the longterm.

In commemoration of the tragic events of February 17th, 1987, and of the events of February 17th, 2006 in which 18 demonstrators, mostly youth, were killed and at least 700 others arrested, many Libyans are calling for a day of peaceful protest this February 17th in cities throughout the country. The Gaddafi regime has responded to these calls with a campaign of fear, rounding up over a hundred community leaders, activists, bloggers, and tribal leaders in the city of Benghazi and threatening them with retaliation should they decide to take part in the planned demonstrations. Moreover, he has vowed to punish entire families if even one member joins in the day of commemoration.

In Tripoli, Gaddafi is taking a different tack; there, his local Revolutionary Committee (lajna thawriyya) is encouraging people to protest and even organized a protest of its own in front of a local Chapter of the General People’s Congress (lajna sha’biyya) during which it called for the people to rise up against the current Prime Minister, Baghdadi Mahmudi. It is unclear whether Gaddafi is trying to co-opt the demonstrations (to make them his own personal thawra as he has made everything in Libya over the past 40 years) and redirect them against anyone but himself (including his own Prime Minister who he didn’t hesitate to throw under the bus), or whether he is simply making a mockery of the calls for protest. What is clear is that the autocrat, after witnessing what happened to the neighbor to his west and what is now happening to the neighbor to his east, is taking every preemptive measure he can to prevent the Libyan people from gathering on the streets in opposition to him.

It is no coincidence that Gaddafi’s foremost concern throughout his four decades of rule has been the dismantling and prevention of even the most rudimentary forms of organization and civil society in Libya. Like all seasoned dictators, he understands very well that the main advantage his people have against him and his comparatively small circle of thugs is strength in numbers. Destroy the people’s ability to unite and to organize, and a country of millions is reduced to an atomized collection of isolated individuals standing alone before one man and his well-armed security apparatus. This was precisely the situation in Tunisia, until Bouazizi’s self-sacrifice shocked a weary nation into rising up and overthrowing a dictator; and this was precisely the situation in Egypt, until the Tunisian uprising showed Egyptians for the first time in decades that they could take control of their political future. Gaddafi knows this, and he is terrified of it.

No one has the right to chastise the Libyan people if they do not descend onto the streets en masse on February 17th—if they choose not to risk their lives and the lives of their loved ones—and I cannot in good conscience ask such a thing when I live in a country where, only a few days ago, I marched with thousands of people through the streets of its largest city, in solidarity with the people of Egypt and Tunisia, with no threat to my safety whatsoever, and my right to protest protected by a constitution. This, despite the fact that I have never been so ashamed of my government for its hypocritical, cowardly and unprincipled response to the peaceful uprising in Egypt, even after our current president campaigned on a platform of “hope and change,” taking his lofty message to the Egyptian people nineteen months ago when he lectured them on democracy and his commitment to “governments…that reflect the will of the people.”

February 17th, 1987 and February 17th, 2006 were terrible days in Libyan history, but they were by no means unusual. It would be a mistake to say that Gaddafi has spilled the blood of the Libyan people as if it were water, because even water is a precious thing in Libya. His regime has destroyed a nation once brimming with potential; deprived generations of education, opportunity and hope; dragged a people’s name through the mud along with his own and those of his pathetic children. The Gaddafis and their cronies are the most shameless, the most backward, the lowest of Libya; the weakest of character and the least deserving of honor, respect or fear, let alone sovereignty. And I have no doubt that they are also the most fearful and the most cowardly; such people know only violence, intimidation and displays of brutality; they know nothing of courage or strength, and when confronted with a real threat, their fear becomes even more manifest in their abhorrent actions.

Click to play Ibn Thabit – Al-So’aal (The Question)

I have written before—and I still believe—that only the Libyan people can change their present condition, and only the Libyan people can decide when the time is right to do so. But it is my fervent hope that we all learn from the courageous examples of our Tunisian and Egyptian brothers and sisters, that we recognize that the question is no longer, “can it be done?” but, “when will we do it?”. When a large enough number of Libyans resolves to unite and organize around a common purpose; when they study and draw from the successes of their neighbors to the west and to the east; when they rise above the divisive and violent tactics of a tyrant; when they tire of being constantly lied to, condescended to, and mocked by an individual who seems to revel in insulting their intelligence; when they reject fear and apathy; when they reaffirm their sense of agency; and when they decide that the potential gains are worth the almost certain losses, then their own paper tiger will have no choice but to crumble. The great Tunisian poet Abul Qasim al-Shabi, like Muhammad Bouazizi, was only in his mid-twenties when he died in 1934, but over 75 years later his poetry lives on: its message, eerily prophetic; its words resurrected on the lips of countless hopeful, joyful people over the past weeks and months. His words ring truer with every passing day, and I never tire of hearing them: If, one day, a people desires to live, then fate must answer their call. Whatever happens this February 17th, I will continue to be proud of the Libyan people, and I pray that they never tire of hearing al-Shabi’s words either.

Contributed by Najla Abdurrahman (http://enoughgaddafi.com/?p=431)

Good luck to any people who want to find and fight for their freedom. Do what it takes to get it. Der balak alaa halak

It’s been a long time since we drove your Pontiac

Cake’s new album

I waited so patiently for 4 years for a new Cake album. I’ve really loved their whole discography from 1994’s Motorcade of Generosity to the B-Sides & Rarities compilation album that came out in 2007. I love the dry, almost spoken, delivery of frontman John McCrea’s singing. I love Vince DiForce’s addition of trumpet and keyboards to the music. I love that the music is witty and fun.

In 2008 the band decided to remove Cake’s studio from the dependence of California’s electricity grid and go 100% solar. This must make recording only possible in for a few hours during the day, since it took another 3 years for them to release their next album titled Showroom of Compassion. Released it is though, on January 11, 2011 to a NUMBER 1 spot on the Billboard charts! Wow! That must feel great to have your “comeback” record receive such praise. Except that it will own this distinction with an asterisk. You see, it broke a record for being a number 1 album with the lowest sales in history. 44,000 albums was all it took to secure a number one spot that week. That’s 2,000,000 less than the biggest opening week an album has had according to Billboard. (N-Sync March 2000).

Showroom of Compassion, even after all the hype, ends up being somewhat uninspired. I’ll showcase this by sharing a great song and a song that I call the Taco Bell of the record. More filler than beef.

Let’s start with the waste so we can end on a good note.

The opening track on SOC almost made me turn the CD player off. What garbage is this? The song is called “Federal Funding” and the lyrics, the music… all just amazingly boring. The big instrumental finish of the track saves it a bit, but it’s my opinion it could have been left off the album altogether.

Click to play Cake – Federal Funding

John McCrea Noel Vasquez,Getty Images

The best track on the album, ends up being what should have been the opener. Track 2 is called “Long Time” and that’s the opening track title for a “comeback” album. Maybe Cake, like LL Cool J, doesn’t want us to “call it a comeback”. I call it like I see it, and this is the perfect opener. “Long Time” is the track that will crystallize the experience of the rest of the album. It has all the Cake-like elements of greatness. The distinctive talky-singing, the bass slap, the jittery guitar riffs, the trumpet, the synth keyboards, ticking clock sounds, a glockenspiel. It’s all here.

Click to play Cake – Long Time

It’s been a long time
Since we tripped into this ditch
It’s been a long time
Since we drank the a-ah-ah-ah-ah-ah-arsenic

Isn’t that a great Cake song? Makes me want to see them live again. It’s been a long time since I have seen the band Cake on tour. I’m hoping for a tour stop near enough for me to see them again. One thing I am sure hasn’t changed is the great live show Cake is known for.

Amazon has the album on sale right now…only $7.99! If you are a Cake fan, you need this one for your collection, and at that price I don’t think you should pass it up!

Need more of a push to buy the album? Check out the new video for the official first single from the album.

Still not sold on it? Go ahead and steal it, but I think you have to like them on facebook and listen to them pontificate about politics and the environment. That’s a fair deal…

Smoke ’em if you got ’em…



To cease smoking is the easiest thing I ever did.  I ought to know because I’ve done it a thousand times.  ~Mark Twain

I’ve been smoking since I was 16. I’ve been a pack-a-day smoker. I’ve been a smoker who never actually bought cigarettes. (The Moocher!) I’ve quit many times before. One of the times lasted a good year.  There were times when I rationed cigarettes, only having one or two a day. Cigarettes have been a part of my life for a long time.

Click to play Oasis – Cigarettes & Alcohol

My first cigarette was outside a pool hall. That head change was so fantastic…I was a fan ever since. That first cigarette was a Marlboro Red. I smoked those for some time, until I mooched a Camel Light from a buddy and really liked the taste of those better.

Click to play Less Than Jake – One Last Cigarette

I enjoy the timeout a smoke gives me at work. I enjoy the act of smoking…the inhaling and exhaling. Smoking would get me through the tough times. A cigarette would help me when I was…bored/stressed/tired/hungry. Nothing accompanies an alcoholic beverage better than a cigarette. Nothing accompanies coffee better than a cigarette. A smoke is great after sex and after a meal.

Click to play David Bazan – Cold Beer and Cigarettes

The thing is about quitting smoking is that you have to really want to quit. You have to hate it. I love smoking…but I think you figured that out from the love story above. I was planning on quitting on January 1, 2011. Less a resolution and more an easy quit date to remember. Didn’t happen because I had to go to California for a funeral…and I didn’t want to add to the stress of that trip by craving the whole time. On the 23rd of January I caught a horrible cold…might have even been the Flu. I had a fever and cough. Seemed like a good time to quit, since I could barely breathe anyways. I’m ready. I can do this. This is my final goodbye. It wasn’t you cigarettes…it was me.

CLick to play Band Of Horses – Cigarettes, Wedding Bands

   

Glory days, well they’ll pass you by

Now I think I’m going down to the well tonight
and I’m going to drink till I get my fill
And I hope when I get old I don’t sit around thinking about it
but I probably will

-Bruce Springsteen

Kid Rock just turned 40 January 15th.

Kid Rock celebrated the day by having a 3 hour concert in his hometown of Detroit. The venue was the Detroit Lions stadium, Ford Field. During the show, looking over the 60,000 hometown fans, he said “I don’t even know what to say…There is no place on earth I’d rather be right now than here.”

I tired to find time to review the new album, Born Free of Kid Rock back around its release date of November 16, 2010…but time got away from me. Maybe that’s what Kid Rock had in mind for this album. The album is a continued departure from the rap-rock that made Kid famous. It’s an album that harkens back to the late 70’s / early 80’s Americana that Kid Rock loves so much. Perhaps it’s the time that he wishes hadn’t gotten away from him?

Rock churns out Southern Rock, a la Bob Seger or Tom Petty. Born Free is not as good as Seger’s Night Moves or Petty’s Into The Great Wide Open, but it is a great feel-good record that will get you through the cold months and into the summer. Kid Rock even convinces his idol, Bob Seger, to play piano on the song “Care” while he does the best raspy Seger-esque impression he can!

The song I love most is the track Purple Sky. Check it out below, and pick up this album, even if you aren’t a fan of Kid Rock’s seven previous albums… I guarantee you will find something to love here…and dont wait too long, else you’ll be without it come summertime! You will need a soundtrack for those backyard BBQs or beers in the back of the pick-up. You know how fast time flies…

Click to Play Kid Rock – Purple Sky

Pseudocoded

human.Author I = "Mookie";

human.EveryoneElse you; //will be defined at runtime

if (You.break(myHeadphone)){
    I.Voice.Yell.ToMouth() = "You will pay for this!";


I.Hit(you, Rock);

return;

}

Happy New Years peeps! I hope you are all well. I am renewed and ready for another year of music posts for you. I can’t wait to read your comments and emails! Our fans are the best in the world! Let’s get it on then?




Sean “Jay-Z” Carter

To start off the year I am doing a book review of sorts. The book is Jay-Z’s book Decoded which was available for sale November 16th, 2010. I received the book as a xmas present from The Little One. She knows a music book will always make me happy!


Jay-Z (also known as Sean Carter, Jigga, or Hova), for those of you that don’t know, is a successful hip-hop artist and entrepreneur. He had a net worth over $450 million in 2010, has sold 50 million albums worldwide, co-owns a chain of sports bars and lounges called The 40/40 club, and is part owner of the New Jersey Nets. He was once the CEO of Def Jam, founded the record label Roc-A-Fella Records, and is the creator of the wildly successful clothing line Rocawear.


That’s some resumé…


Like Jay-Z, his new book is also many things. It’s a lyrical anthology, a biography, and a coffee table art book all wrapped into a beautiful hardcover package. The book covers 36 of Jay-Z’s songs, which he “decodes” for the reader. Jigga provides perspective and insight on the lyrics and the stories behind them.


Hova says this about the vision for his book:

The cover of Decoded is based on
Andy Warhol’s 1984 “Rorschach” paintings.

When I first started working on this book, I told my editor that I wanted it to do three important things. The first was to make the case that hip-hop lyrics—not just my lyrics, but those of every great MC—are poetry if you look at them closely enough.

The second was I wanted the book to tell a little bit of the story of my generation, to show the context for the choices we made at a violent and chaotic crossroads in recent history. And the third piece was that I wanted the book to show how hip-hop created a way to take a very specific and powerful experience and turn it into a story that everyone in the world could feel and relate to.



I’ve talked to a few people about the book that I know are fans of Jay-Z. None of them had yet read, or even cracked open the book, but had heard that there wasn’t anything “new” in the book. Specifically, that the stories articulated in its pages were “known” by the “real” fans for some time. 


While that’s probably true, they are missing out on the clear specific breakdown of the songs. Jay-Z annotates the lines of the songs, dropping knowledge on the story being told. Sometimes the breakdown of the lyrics relates to the hip-hop culture, politics, or specifically to Jigga himself. The breakdown often highlights the architecture of the rap. In the track “My 1st Song” Jay-Z points out “that the pace is double-time and the lines are all stuffed with internal rhymes which gives the song the breathless rhythm of my earliest songs, which when I was essentially a speed rapper.” 

Click to play Jay-Z – My 1st Song

Marvin Gaye

The lyrics are broken down to explain the culture of the hustler and the music is explained to help you understand the mood and frame of the story. For example, in the song “American Dreamin'” Jay-Z points out the the song samples Marvin Gaye’s “Soon I’ll Be Loving You Again” and that “the sample transports you to a blue-lit room in the seventies; you can practically smell the smoke from a joint coming out of the speakers.” Even if that’s not what you get from hearing the track, it’s fascinating to hear an artist break down this level of minutiae to their work. It’s not something we often get to see and understand when we enjoy the final product on the album.


Click to play Jay-Z – American Dreamin’

This song was featured early in the book, the second song broken down. It was at this point that I decided to create a playlist of all the songs in the book. I wanted to hear the songs while I read about them. If you get the opportunity to read the book, I suggest you do the same. If you don’t have access to all of the 36 songs mentioned, you can maybe rectify that here.


One of the revelations in the book that strikes a chord in me was on why hip-hop is controversial and often misread. It’s something I’ve often struggled with when trying to explain rap music to people. There are people who just don’t get, or even HATE, hip-hop. I try and stress upon what they are really missing out on. That the song is not all about bitches, drugs, and violence–but that there are great stories being told with an amazing flow. These excerpts from Decoded really break it down beautifully. I want to end my post with these excerpts from the book. I hope that it hits you in the same way that it hits me. Maybe if you are not a fan of hip-hop, it can give you the perspective and context to listen again.

Hip-hop has always been controversial, and for good reason. … It leaves shit rattling around in your head that won’t make sense till the fifth or sixth time through. It challenges you. Which is the other reason hip-hop is controversial: People don’t bother trying to get it. The problem isn’t in the rap or the rapper or the culture. The problem is that so many people don’t even know how to listen to the music.

The art of rap is deceptive. It seems so straightforward and personal and real that people read it completely literally, as raw testimony or autobiography. And sometimes the words we use, nigga, bitch, motherfucker, and the violence of the images overwhelms some listeners. It’s all white noise to them till they hear a bitch or a nigga and then they run off yelling “See!” and feel vindicated in their narrow conception of what the music is about.

But that would be like listening to Maya Angelou and ignoring everything until you hear her drop a line about drinking or sleeping with someone’s husband and then dismissing her as an alcoholic adulterer. But I can’t say I’ve ever given much of a fuck about people who hear a curse word and start foaming at the mouth. The Fox News dummies. They wouldn’t know art if it fell on them. 

  

Earn it and burn it

If you have heard the name Mark Ronson, it might be because of his production work on Amy Winehouse’s Back to Black album. For his work Ronson would win three Grammy’s for “Producer of the Year, “Best Pop Vocal Album”, and “Record of the Year”. You might know that… but not know that Ronson is also a DJ, guitarist, singer/songwriter, and co-founder of the music label Allido Records.

Mark Ronson and his new backing band, The Business Intl., released an eclectic album called Record Collection on September 27th, 2010. It was, rather quietly, a success. Quiet in the States at least. The first single off the album peaked at number 6 on the UK singles chart and number 18 on the Irish Singles Chart.

Mark Ronson

I find it surprising it never caught on here in the US though. It seems most of my generation is uber reminiscent of the 80’s. This album has such a great 80’s sound and vibe to it, that I think if more people actually gave it a listen, that they would absolutely love it. Mark Ronson is able to tie in the sounds from 30 years ago with the present pretty easily. It’s so flawless in its union, it just shocks me.

What’s more 80’s than Boy George? The song “Somebody to Love Me” was the third single released from Record Collection. Take Boy George and have him sing alongside the front-man from Swedish indie group Miike Snow…throw in some keyboards and a dope breakbeat drum line, you have a synergistic meld of decades of music!

Click to Listen to Mark Ronson – Somebody to Love Me (featuring Boy George and Andrew Wyatt)

Even with the 1980’s making appearances all over the album, there are also other guest collaborations to be found on Record Collection. Q-Tip, D’angelo Spank Rock, Ghostface Killah, and even the London Gay Men’s Choir all offer some great moments on the album. Ronson also lays down vocals on a few of the tracks.

There is an adorable video for track 8 off the album, the song “Circuit Breaker”. The song is just an instrumental track that features California turntablist/DJ/producer Teeko. The video is an 8-bit gamer’s dream and was directed by Gary Breslin and Jordan Galland. Check it out below.


“CIRCUIT BREAKER” by Mark Ronson from gary breslin on Vimeo.

A Zelda like character, that I am assuming is Ronson, slashes and parries his attackers while he collects all the pieces he needs to create a turntable that he can use for the final boss. A DJ battle ensues and the protagonist gets his girl!

There is a ton of good stuff on this album. You can stream the entire thing here. After listening to it, I can’t imagine you won’t be buying it.

Here We Go (get it?)

When I meet someone new, I usually end up telling them I run and write for a music blog. More often than not a music fan will light up and try to find out which of their favorite bands I haven’t heard of yet.  I’m pretty well versed, but sometimes whatever band they’re gushing about ends up being new to me. I promise to look into them, and I always do. I figure that if I don’t know, maybe you don’t. If YOU don’t, then I am obligated to share them with you. Good or bad–although I try to spare you the bad.

This last time I was at the bar, our bartender spots us as we walk in and asks me if I like Punk music. He knows I am a “music snob” so I wasn’t caught off guard in the least. I say I love Punk music…and then a girl on the other side of the bar hollers over the din of the bar to ask who my favorite Punk band is. I answer quickly. My favorite band, period.  Never mind the genre.  “Bad Religion,” I shout back.

After 15 minutes I get her to sit on my side of the bar so I don’t have to yell to be heard. We get into more discussions about music. She shits on Sublime for 15 minutes and I try to defend. She’s from So-cal and just hates on them because she feels like they bit everyone’s style out there. I spar with her, but she won’t budge. Her mind is set.

Then she asks me if I have ever heard of Jawbreaker.

Jawbreaker

I hadn’t.

She does what they all do at this point. She gives me the pitch. Why they are great and why I need to listen to them. She tells me about how great the music is and how emotional the lyrics are. The band was formed in Oakland, CA (which might have been a plus according to her?) and dissolved in 1996.

She’s piqued my interest. I asked if she thought they were an “Emo” band and she quickly dismissed that they were. Most punk purists scoff at the idea of Emo has a watered down version of Punk. I disagree, but I understand why most people feel this way. Emo sucks is the new “disco sucks” mentality of many Punk Rockers.

This barfly tells me I need to listen to the album 24 Hour Revenge Therapy first and then check out the rest of their discography after that.

That is exactly what I did. I wish  I could tell you that she was on the money. It’s rather mediocre. I expected better from Oakland honestly. Check out “Jinx Removing”… Track 11 off of 24 Hour.


Click to Play Jawbreaker – Jinx Removing

ZZZZZzzzzzzZZZZzzzz…

It’s totally an Emo band, by the way. A bad one at that. We should be thankful they broke up. We’ll give them credit for being an influence to all the Emo bands that came after them. They should be thankful for even that much credit. If you are feeling this track, I suggest you pick up the album Dear You. It’s their last album, before they broke up. Dear You is a lot more polished than the bands other albums, and in my opinion this band could use the acoustic clean up.

The Flatliners

Well…if you are reading this, “girl from the bar,” I suggest you listen to the Punk band The Flatliners.  It’s the band I think you were describing. The only thing wrong with them is that they are not from Oakland.
Toronto, Canada isn’t that far from Oakland right? Also, the band is still together. Since 2002, and an album for as many years.

Click to Play The Flatliners – Here Comes Treble

Rockin’! That’s a punk band to claim!

Thanks For The Perspective (Clap… Clap… Clap…)


Kanye West

I had plans to write about some punk albums this week. I had plans to do a lot of things. I’m in the weeds at work. I’ll be in the weeds well into the new year.

Really, I just never got around to listening to the punk albums I wanted to talk about  for the post.

Honestly? I just still can’t stop listening to the new Kanye album.

In the near future I am making the staff give me the top ten albums released this year for a week of “Best Of” posts at the end of the month.

I’ll give you my number one album now. It’s My Beautiful Dark Twisted Fantasy. Lyrically and musically it’s fucking fantastic! You already know how I feel about that album since I wrote it up a few weeks back. Since I am under the gun though, you get more Kanye. This time it’s the leak and remix promo Kanye is doing for his fans. In August Kanye West proclaimed on twitter (of course…) that he would release a  new joint from our family on his website every Friday until xmas.

He dubbed it G.O.O.D. Fridays and then the gems started dropping. I was there every Friday like a hungry dog begging for a biscuit.

Power Remix Track Art

The first track dropped was a remix of the song “Power” off the then yet unreleased new album. The song featured Jay-Z and Swizz Beats and mashes up Snap’s “I’ve Got The Power.” It’s got hot, hot alternate verses from what ended up on the album version.

We livin’ in that 31st century, futuristic fly shit

The penthouse is the projects and everybody flies private

New watch, know what time it is, watch us (You see us)

They can’t stop us, prophets, beyotches


Click to Play Kanye West – Power (Remix featuring Jay-Z and Swiss Beats)

There were 12 other releases packaged up into the G.O.O.D Friday project, and then  nothing new after My Beautiful Dark Twisted Fantasy was released. I’m assuming Yeezy just wanted to make sure the focus stayed on the new album for a few weeks before he starts back up on the G.O.O.D. Fridays series. That would make sense anyways. One can hope! You can check out the thirteen tracks for yourself here. An email address gets you access to download them all. I suggest you do. Then buy his new album if you haven’t already.

New Winter DJ Set

A little holiday gift for you! I hope you enjoy. I still love putting these mixes together.


This is my first mix in a long while. My turntables were in storage for a year. Then after I set them back up, I had to work the rust off. I’m already excited to work on another one…so you might get a part 2 soon! Im here to please…so let me know in the comments if you want another one sooner than later.


Although this is a winter mix, it probably has nothing to do with winter except that one of the artists I include has the last name of Snow. The fact we were in the middle of a cold snap here in Las Vegas, with temperatures below freezing, might have kept me inside long enough to get it done! 


/shrug

  inALLcaps.com Winter Mix by inallcaps

Track list:

Depeche Mode VS The Crystal Method – Busy World In My Childs Eyes
Crystal Method are from Las Vegas. The Depeche Mode reminds me about this asshole who owes me 10 grand. I hope he chokes on his Egg Nog this year.
Candid – Empire State Of Mind (Drunk & Brilliant Mix)
This track is built around some “raverish” synth stabs and a pitched up sample of Alicia Keys from the Jay-Z hit off the Blueprint 3 album.
Benjamin Diamond

Benjamin Diamond – Little Scare (change your life mix)
This is one of my favorite house tracks. Benjamin Diamond was also the vocalist in the Stardust track “Music Sounds Better With You” if you are wondering why his voice sounds so familiar.

Phoenix – Long Distance Call (Moonchild’s ’25 Hours a Day’ Edit)
This is a great dubby disco house remix. This dude Moonchild is really dope actually. He’s from Australia and has some fantastic remixes and original work on his soundcloud. Make sure you check it out.
Miike Snow – Black and Blue (Savage Skulls Remix)
I remember saying to myself… “Damn…I am so clever for putting Miike Snow after Phoenix!” I wish I remembered why I thought that. These two tracks do sound great together…it just seemed like I had some “meaning” for it. I might over-think this stuff…
David Guetta – Memories (Armand Van Helden vocal remix)
I like to squeeze something AVH related into my mixes. I am a big fan of his work. Walt Zink, one of our contributors on this blog, used to be a huge fan of his back in the day. He’s NOT a fan of the direction Van Helden has gone with his work in recent years…but I’m still on board! I love it!
Wolfmother- New Moon Rising (Riton Club Rub)
I think Walt Zink also like Wolfmother. Not that i was over-thinking THAT much!


NastyFunker – Blood on the Dancefloor ( Nastys chunk-a-Funk Mix )
I am not sure about where I got this track. Or who this is exactly. I think I found a few profiles, but can’t confirm it’s the same remixer. I think this is the artists soundcloud. I just can’t be 100% sure. I might need your help on this guys!
Daft Punk

Daft Punk – Television Rules The Nation (Dirty Disco Youth Remix)
I love Daft Punk. It’s another artist I like to squeeze in to a mix. Everyone loves Daft Punk. The Dirty Disco Youth are doing a lot of hot stuff, and you should check them out.

Snoop Dog – Thought I Was A DJ (Wonky Ninja Remix)
I usually have a pretty good idea what I want to play when I record a mix… until about the 50 minute mark. This is where a good mix can go bad for me as I struggle to find a few more tracks to drop. Luckily this one fit the vibe nicely!

Maxwell – Bad Habits (Harlan Pepper & AG III Dub Remix)
Love this remix, but the original is great as well. Maxwell is the perfect soundtrack to get busy to, if you know what I mean!


That’s it! Hope you enjoyed the mix and the DVD style commentary! Stay warm peeps!