This is us all trying not to be sober

When did the news become entertainment?

Right out of the gate this album, as it was designed to do, grabs hold of you and tells you there’s no way you’re not going to listen to this. It’s too important. So sit down. No, wait. Stay standing. And raise your fist.

Political punk.

So content to live in your ignorance while they manipulate and tell you it’s true.

Don’t think it’s just FOX News with the spin and rhetoric. Politicos on both sides love the ignorant masses who will remain divided and follow the wildly dramatic claims and warnings.

Smoke or Fire have been writing hardcore punk songs with lyrics full of social commentary since 1998. At the time, they called themselves Jericho. They had changed their name by the time they recorded the album Above The City in 2005 with Fat Wreck Chords. They stuck with the label ever since, and in November of 2010 released The Speakeasy.

The commentary in the lyrics are not focused solely on the sad state of our humanity. Songwriter Joe McMahon dispenses words of advice to other bands in the industry in Track 6, “Hope & Anchor.”

Click to Play Smoke or Fire – Hope & Anchor

Those days are over now, what started off as fun
Has made you question everything and not trust anyone

It’s this and “Porch Wine” that can be used more as personal anthems rather than revolutionary battle cries. Also, I love this track musically more than the others on the album:

Click to Play Smoke or Fire – Porch Wine

The realization of great potential
Leads to the feeling of an emptiness
And what to fill it with in our time?

All I can offer you is a shrug. Find something lasting to fill it with. Make a change. Quote pundits on your FaceBook page and do nothing. Self-medicate. The only certainty is death.
(And taxes.)

War….and guns…..what are they good for?


NOTE: I am including the link to write your Representative here and at the end of this post.

Anyone that’s known me for a while knows how strongly I feel about many issues and how readily I display my emotions on my sleeve. I’ve learned to temper it a bit the older I’ve gotten, but occasionally, it still overflows and comes out as pure anger. The events of Saturday, January 8th down in Tucson, Arizona are a good example of this. Now Representative Gabrielle Giffords is in critical condition, and six are dead.

Arizona has been the subject of many jokes within the last year. The controversial immigration law they enacted inflamed passionate debate amongst both sides. Extremes were certainly brought out on both of those sides, but common sense tells us that if we want to end a problem, we work to display some patience and forward-thinking. The state of Arizona didn’t didn’t display those traits, and is now facing a PR nightmare about it’s image. That’s a conversation left for a different day, but the point is that these problems continue to bog down the state.

In 2004, a Republican led Congress let lapse the Federal Assault Weapon Ban. If this had been in place within the last few weeks, Jared Loughner maybe wouldn’t have committed the atrocities we bore witness to on the 8th. However, as was stated pretty clearly on BBC News’ World News America, the NRA and the small percentage of people in this country who care solely about gun restrictions make up a large voice. We may never see a day where we can go worry free about the threats we saw carried out in Tucson due to this misguided logic.

We’re watching both sides point fingers over this tragic event. If you’re reading this, and you’re blaming liberals? Or the Tea Party? Or anyone, for that matter – STOP IT. The only way we will ever see an end to this senseless violence is by working to prevent it. By using that same patience and pragmatism I spoke of earlier. That doesn’t equate to taking your guns away, as the NRA would have you believe. This young man was initially unable to buy the bullets he sought, believe it or not. He instead went to a second Wal-Mart and made the purchase there.

Just think about that. While you are in a Wal-Mart with your young son or daughter looking at buying a bicycle, a man is buying bullets. Bullets are not the harmless creation the NRA would lead you to believe. They are made for a single purpose. When this first came about, I couldn’t help but think of a good quote by comedian Eddie Izzard from his stand-up special Dress To Kill.


“The NRA says ‘guns don’t kill people, people do.’ But I think that the gun helps.”

The solution? Is not more guns. Restrictions on firearms need to be in place. We need laws in all fifty states that require proper training by civilians for use of these weapons. Proper registration and storage at homes need to be in place, also. If you insist on owning a gun, I have no issues with that. I have to stress this. However, a gun is a major responsibility. On top of being a responsibility? It’s a privilege. One that I feel should be taken away if you can’t prove that you are enough of an adult to do what are honestly very simple things.

For anyone that may call my opinions into question, I’ve lived a life where as a child, I grew up around weapons. I never liked them, but thankfully, they were stored properly. If you were to ask anyone in the military or that works for your local police, they will likely agree with me on the changes I’ve spoken of. Many I’ve spoken with have agreed.

Lastly? That link again to write your representative. Take five minutes and express your concern.

Click to Play Edwin Starr – War

Click to Play Edwin Starr – War (King Britt Remix)

Click to Play Creedence Clearwater Revival – Fortunate Son

Pseudocoded

human.Author I = "Mookie";

human.EveryoneElse you; //will be defined at runtime

if (You.break(myHeadphone)){
    I.Voice.Yell.ToMouth() = "You will pay for this!";


I.Hit(you, Rock);

return;

}

Happy New Years peeps! I hope you are all well. I am renewed and ready for another year of music posts for you. I can’t wait to read your comments and emails! Our fans are the best in the world! Let’s get it on then?




Sean “Jay-Z” Carter

To start off the year I am doing a book review of sorts. The book is Jay-Z’s book Decoded which was available for sale November 16th, 2010. I received the book as a xmas present from The Little One. She knows a music book will always make me happy!


Jay-Z (also known as Sean Carter, Jigga, or Hova), for those of you that don’t know, is a successful hip-hop artist and entrepreneur. He had a net worth over $450 million in 2010, has sold 50 million albums worldwide, co-owns a chain of sports bars and lounges called The 40/40 club, and is part owner of the New Jersey Nets. He was once the CEO of Def Jam, founded the record label Roc-A-Fella Records, and is the creator of the wildly successful clothing line Rocawear.


That’s some resumé…


Like Jay-Z, his new book is also many things. It’s a lyrical anthology, a biography, and a coffee table art book all wrapped into a beautiful hardcover package. The book covers 36 of Jay-Z’s songs, which he “decodes” for the reader. Jigga provides perspective and insight on the lyrics and the stories behind them.


Hova says this about the vision for his book:

The cover of Decoded is based on
Andy Warhol’s 1984 “Rorschach” paintings.

When I first started working on this book, I told my editor that I wanted it to do three important things. The first was to make the case that hip-hop lyrics—not just my lyrics, but those of every great MC—are poetry if you look at them closely enough.

The second was I wanted the book to tell a little bit of the story of my generation, to show the context for the choices we made at a violent and chaotic crossroads in recent history. And the third piece was that I wanted the book to show how hip-hop created a way to take a very specific and powerful experience and turn it into a story that everyone in the world could feel and relate to.



I’ve talked to a few people about the book that I know are fans of Jay-Z. None of them had yet read, or even cracked open the book, but had heard that there wasn’t anything “new” in the book. Specifically, that the stories articulated in its pages were “known” by the “real” fans for some time. 


While that’s probably true, they are missing out on the clear specific breakdown of the songs. Jay-Z annotates the lines of the songs, dropping knowledge on the story being told. Sometimes the breakdown of the lyrics relates to the hip-hop culture, politics, or specifically to Jigga himself. The breakdown often highlights the architecture of the rap. In the track “My 1st Song” Jay-Z points out “that the pace is double-time and the lines are all stuffed with internal rhymes which gives the song the breathless rhythm of my earliest songs, which when I was essentially a speed rapper.” 

Click to play Jay-Z – My 1st Song

Marvin Gaye

The lyrics are broken down to explain the culture of the hustler and the music is explained to help you understand the mood and frame of the story. For example, in the song “American Dreamin'” Jay-Z points out the the song samples Marvin Gaye’s “Soon I’ll Be Loving You Again” and that “the sample transports you to a blue-lit room in the seventies; you can practically smell the smoke from a joint coming out of the speakers.” Even if that’s not what you get from hearing the track, it’s fascinating to hear an artist break down this level of minutiae to their work. It’s not something we often get to see and understand when we enjoy the final product on the album.


Click to play Jay-Z – American Dreamin’

This song was featured early in the book, the second song broken down. It was at this point that I decided to create a playlist of all the songs in the book. I wanted to hear the songs while I read about them. If you get the opportunity to read the book, I suggest you do the same. If you don’t have access to all of the 36 songs mentioned, you can maybe rectify that here.


One of the revelations in the book that strikes a chord in me was on why hip-hop is controversial and often misread. It’s something I’ve often struggled with when trying to explain rap music to people. There are people who just don’t get, or even HATE, hip-hop. I try and stress upon what they are really missing out on. That the song is not all about bitches, drugs, and violence–but that there are great stories being told with an amazing flow. These excerpts from Decoded really break it down beautifully. I want to end my post with these excerpts from the book. I hope that it hits you in the same way that it hits me. Maybe if you are not a fan of hip-hop, it can give you the perspective and context to listen again.

Hip-hop has always been controversial, and for good reason. … It leaves shit rattling around in your head that won’t make sense till the fifth or sixth time through. It challenges you. Which is the other reason hip-hop is controversial: People don’t bother trying to get it. The problem isn’t in the rap or the rapper or the culture. The problem is that so many people don’t even know how to listen to the music.

The art of rap is deceptive. It seems so straightforward and personal and real that people read it completely literally, as raw testimony or autobiography. And sometimes the words we use, nigga, bitch, motherfucker, and the violence of the images overwhelms some listeners. It’s all white noise to them till they hear a bitch or a nigga and then they run off yelling “See!” and feel vindicated in their narrow conception of what the music is about.

But that would be like listening to Maya Angelou and ignoring everything until you hear her drop a line about drinking or sleeping with someone’s husband and then dismissing her as an alcoholic adulterer. But I can’t say I’ve ever given much of a fuck about people who hear a curse word and start foaming at the mouth. The Fox News dummies. They wouldn’t know art if it fell on them. 

  

no wonder the armada lost…

One of my goals (let’s not call it a resolution, ok) for the year to is try to stay a little more timely with what I’m reviewing. I often felt like I was behind the ball last year, reviewing albums weeks after they’d been released and after you’d probably read a million other reviews already. For 2011 I’ll do my best to write up albums closer to their release date if possible. I’ve mentioned before that I don’t have fancy connections that give me promos to listen to or anything, but I’ll try to make it work.

In the spirit of this new approach, I got my hands on Valhalla Dancehall, the upcoming release from British Sea Power. It’s good. Pretty damn good. Let’s just jump right in with a track:

British Sea Power
Click to play British Sea Power – Georgie Ray

Am I the only one hearing some Bowie in there?

I have to admit I never gave these guys much of a chance before. I’ve heard random tracks here and there but never followed up to see if I actually liked the band. What I can say about this album is that it’s driving and full of energy, yet loaded with hooks and introspection; a mix only the British seem to be able to actually pull off. The moods and genres shift a bit along the way but it all works. It’s enough to spur me to go back and check out the rest of their catalog, which is one of the best compliments I can give. So to those of you saying, “kilter, I’ve been a fan forever and I think you’re pretty much a big loser for not being one yourself all along,” I hang my head in shame. You’re right, I was wrong. I hope you’re happy now.

Valhalla Dancehall drops this Tuesday, the 11th. I definitely recommend giving it a listen. I mean, of course, beyond what I’ve posted here for you.

Click to play British Sea Power – Baby

Click to play British Sea Power – We Are Sound

 

Mmmmmmoby


So another new year has come into our lives. And with it? Well, another year of my pointless banter about music. And what better way to start it all off than by posting some good ambient tunes by one Richard Melville Hall. You guys probably know him by another name – Moby.

The first track here is something I thought of the other night not really knowing why I thought of it. However, this one is one I said flat out to all my buddies on Facebook that I would want played at my funeral. That’s a pretty morbid statement, yes, but it’s 100% true. This is just a hauntingly beautiful song, and hell, it was even used in the Sopranos. So check out “When It’s Cold, I’d Like To Die” off of the mid-’90’s electronica breakthrough album Everything Is Wrong.

Click to Play Moby – When It’s Cold I’d Like To Die

The next one is off of his critically acclaimed album Play. You know, I had sort of skipped past a lot of this album. Not even sure why. This is one I had to be reminded was a great tune. After posting this one online, as well, I got one comment from the following video accompaniment to it.

This song makes me *sob.*. Love it.

So yeah. Go check this one out.

Click to Play Moby – My Weakness

The last one is a lengthy tune that doesn’t really seem to be long enough, if you could believe it. This as well as Panda Bear’s “Bros” and the Mad Professor dub of Massive Attack’s “Protection” are all in select company, there. It’s “Alone”, off of the failed Animal Rights album. The album was one I anticipated, but definitely had the same reaction as many – confusion. It was a very different sound from what I was used to, but there was plenty on it to like. This, to me, is the standout track. Just gorgeous.

Click to Play Moby – Alone

Okay, go buy stuff. I told you to, so you’re obliged.

another year over, and a new one’s just begun

2010 has slipped away and here we are in a new year. It’s time for resolutions and promises that will be kept for a month or so, time for hope and optimism that the next 365-ish days will bring better things, time to wave goodbye to the last 365, whether fondly or with great relief.

It would be fitting to do a “best of 2010” type of post here, maybe with a top ten list, but there are already so many of those out there. Kanye West’s My Beautiful Dark Twisted Fantasy won the hearts of most of the big music bloggers, and some of us here would agree. There were a ton of great albums released this year and I could throw down a top ten, though it would be hard to choose. Instead I’d like to revisit just a few albums I didn’t get the chance to write up since I joined the staff here late in the year.

In the spring a collaboration between Danger Mouse and Sparklehorse was released. Dark Night Of The Soul featured a bevy of guest singers, including the always unique David Lynch. It was the last work of Sparklehorse’s Mark Linkous, who committed suicide this year. I’ve always loved the band’s subdued sound and delicate approach. Sparklehorse will be missed.

Sparklehorse
The Books released their fourth full-length album, The Way Out in the spring as well. If you’re unfamiliar with The Books, they’re a duo who use found art to create lush soundscapes. With the number of samples they blend it should be a mess, but they put it all together in a remarkably listenable way. This was one of the most interesting albums of the year, by far.

Click to play The Books – Group Autogenics I

M.I.A.’s Maya hit the charts and helped cement her position as a challenging, brilliant, artist. She’s political, throws tons of different genres into the mix, and still makes it groovy and danceable.

Click to play M.I.A. – Space

M.I.A.
Man, there were just so many more. Broken Bells, The Black Keys, The Arcade Fire, you’ll see them all on the lists out there. This is a great time to go back and listen to anything you may have missed along the way.

I’m looking forward to what 2011 has in store. At the very least we should get new releases from Veto and Elbow, which will be enough for me.

I hope the new year treats everyone well.

Auld Lang Syne!


Ever wondered what that song was that peeps played when the New Year rang in? It’s called “Auld Lang Syne” and translated from Scottish, it means “old long since” if very literally. Basically, it means “days long past”. A way of remembering the year that we just finished. Well, house music producer Slow Hands has made a really cool jam that can bring the new year in in such fitting fashion. It’s a remix of the traditional track you hear that was recorded in this instance by Guy Lombardo.

Anyhow, do check this one out. The original is there for you all, also. I hope all of you have a happy and safe New Year!

Click to Play Guy Lombardo and the Royal Canadians – Auld Lang Syne

Click to Play Slow Hands – Auld Lang Syne

Earn it and burn it

If you have heard the name Mark Ronson, it might be because of his production work on Amy Winehouse’s Back to Black album. For his work Ronson would win three Grammy’s for “Producer of the Year, “Best Pop Vocal Album”, and “Record of the Year”. You might know that… but not know that Ronson is also a DJ, guitarist, singer/songwriter, and co-founder of the music label Allido Records.

Mark Ronson and his new backing band, The Business Intl., released an eclectic album called Record Collection on September 27th, 2010. It was, rather quietly, a success. Quiet in the States at least. The first single off the album peaked at number 6 on the UK singles chart and number 18 on the Irish Singles Chart.

Mark Ronson

I find it surprising it never caught on here in the US though. It seems most of my generation is uber reminiscent of the 80’s. This album has such a great 80’s sound and vibe to it, that I think if more people actually gave it a listen, that they would absolutely love it. Mark Ronson is able to tie in the sounds from 30 years ago with the present pretty easily. It’s so flawless in its union, it just shocks me.

What’s more 80’s than Boy George? The song “Somebody to Love Me” was the third single released from Record Collection. Take Boy George and have him sing alongside the front-man from Swedish indie group Miike Snow…throw in some keyboards and a dope breakbeat drum line, you have a synergistic meld of decades of music!

Click to Listen to Mark Ronson – Somebody to Love Me (featuring Boy George and Andrew Wyatt)

Even with the 1980’s making appearances all over the album, there are also other guest collaborations to be found on Record Collection. Q-Tip, D’angelo Spank Rock, Ghostface Killah, and even the London Gay Men’s Choir all offer some great moments on the album. Ronson also lays down vocals on a few of the tracks.

There is an adorable video for track 8 off the album, the song “Circuit Breaker”. The song is just an instrumental track that features California turntablist/DJ/producer Teeko. The video is an 8-bit gamer’s dream and was directed by Gary Breslin and Jordan Galland. Check it out below.


“CIRCUIT BREAKER” by Mark Ronson from gary breslin on Vimeo.

A Zelda like character, that I am assuming is Ronson, slashes and parries his attackers while he collects all the pieces he needs to create a turntable that he can use for the final boss. A DJ battle ensues and the protagonist gets his girl!

There is a ton of good stuff on this album. You can stream the entire thing here. After listening to it, I can’t imagine you won’t be buying it.

The breath that carried me

If you listen to any sort of American radio – be it internet or terrestrial, you may have recently caught this indie-sounding tune and you might be bracing to hear more from this band. Imma let you in on the secret the terrestrial deejays don’t even know: Florence + The Machine has been around for awhile, so hurry up and get cozy with this album so you can be cooler than your friends.

Florence is Florence Welsh, a 24-year old from London whose upbringing appears to have been a stable, if not somewhat inspirational, one. You can’t complain about having a normal childhood with intelligent parents. Her mother, a Professor at the University of London, once gave a lecture that inspired Florence to create music that “has some of the big themes – sex, death, love, violence – that will still be part of the human story in 200 years’ time.”
The Machine is comprised of whatever session musicians are needed at the time. The song, “Dog Days Are Over,” which you may have heard on the radio or as the opening theme to Eat, Pray, Love was recorded in a tiny closet with no instruments. Indie band The xx even duetted with Miss Welch over the summer at some Glastonbury shows.

Wait… I haven’t told you about The xx yet have I? Shame on me. A bit more mellow than Florence + the Machine but quite a lovely sound nonetheless.

2009’s Lungs album was written during what turned out to be a temporary breakup between Flo and her beau. Apparently he doesn’t like her to talk about it, but here she is singing about it. That’s got to feel raw. Unless you can just play with it, I guess, but really. Music can be so emotive, taking you back to a dark place or maybe recharging the fire and passion that you felt, thought you lost, and have again. Powerful to think of when hearing “Between Two Lungs.”

Click to Play Florence + The Machine – Between Two Lungs

Here’s the one you could play with.

Enjoy. And buy. And Happy Merry Christmas.

From Disco to House

So listening to an old mix I had kicking around, I felt as though I could share a quick one with you guys. Unfortunately, due to Christmas shopping and errands that have me behind like nuts, this is gonna be a short post. I will try to atone for it next week, however!

Anyone that knows Derrick Carter well may know his track “10”. The video below features it as it was taken from a mix.

Well, the track he sampled from? Is a relatively unknown band by the name of Quando Quango. Guys like Derrick, who pick through the obscure to find gems to sample, know gold when they hear it. The track “Love Tempo” is an infectious sort of jam. Disco meets new wave meets horns. You guys should check this one out.

Click to Play Quando Quango – Love Tempo

Merry Christmas to all of you, out there!